About Stephen Paul Young

I’m a fine art landscape photographer based in North Hampshire, working across both film and digital photography with a focus on place, atmosphere, and the quiet character of the British countryside.

My work is rooted in repeated observation — returning to the same locations across seasons and years, watching how light, weather and time change familiar ground. The photographs that matter most to me rarely come from a single visit. They come from learning a place slowly enough to be in the right position when something quietly extraordinary happens.

The Work

My photography is organised around named projects rather than subjects or genres. Each project grows from sustained engagement with a specific landscape — sometimes over months, sometimes years.

Echoes of Calleva explores the ancient Roman walls at Silchester in North Hampshire, photographed repeatedly across all seasons in colour. It began as curiosity about a local place and became something much more personal — a project about patience, history, and the way certain landscapes hold an atmosphere that resists easy description.

Between Fog and Light is a broader study of the North Hampshire countryside — mist over fields, winter trees, quiet paths, the kind of light that arrives without announcement and disappears just as quickly.

Watership Down documents the open chalk ridge above Overton that Richard Adams made famous, photographed across all weathers and seasons. It is one of the most atmospheric places I know and I return to it constantly.

These projects are available as fine art prints through the shop, produced to museum quality through Gelato Print on Demand.

Film Photography

A significant part of my practice involves black and white film photography. I work primarily with the Zenza Bronica ETRSi medium format camera and various 35mm cameras including the Canon AE-1 and Canon EOS 300V. Film slows the process down in ways that change how I see — there’s a deliberateness to working with a finite number of frames that I find valuable.

I write about film photography across the blog — film stock reviews, camera notes, development guides, and honest accounts of what works and what doesn’t. The pushing film post on HP5 and Tri-X remains one of the most read pieces on the site, which tells me there are plenty of others who find this side of photography as absorbing as I do.

Books and Field Journals

I’ve written and published several photography books exploring the themes that run through my work — landscape, memory, solitude, and ancient places. These are available through Amazon and linked from the Books page.

The Field Journals are free downloadable zines published periodically, each one a visual and written record of a specific project or place. They’re designed to be shared — download them, pass them on, pin them.

Recognition

In 2025 I was named Best Fine Art Landscape Photographer at the Creative and Visual Arts Awards, and recognised as part of the UK Best Fine Art Photography Content Platform 2025. I’m genuinely proud of both — not because awards define the work, but because they reflect the seriousness with which I approach it.

Get in Touch

I’m open to conversations about commissions, collaborations, and private work. If something on the site resonates with you — a location, a project, an approach — feel free to get in touch.

Contact me

Follow the Work

The best way to keep up with new projects, prints and field journals is to follow on Pinterest, where I share work regularly, or sign up for occasional email updates below.

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