Icelandic sunset that inspires my 100 blog posts in 2024

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As 2024 comes to a close, I can’t help but reflect on the journey I’ve had in the world of photography. It’s been an exciting year filled with creativity, learning, and, of course, plenty of photos! In this blog post, 100 blog posts in 2024, I’m going to take you on a quick tour of my photography blogs, highlighting some of the most exciting categories I’ve written about. My 100 Blog Posts in 2024 Let’s dive into everything from winter landscapes to 35mm film and even a few quirky posts about planes, trains, and automobiles. 2025, here we come! Winter Landscapes: Capturing the Chill andRead More →

Tyre photo taken on Kentmere 400

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Exploring the F1 Show at Excel Arena The Excel Arena near Victoria Docks hosted an unforgettable daytime event: the F1 Show, focusing on the rich history of Formula 1. As a photography enthusiast, I saw this as a perfect opportunity to test Kentmere 400, a budget-friendly 35mm film known for its versatility. My day revolved around photographing the event—a unique blend of motorsport heritage, iconic cars, and an energetic atmosphere—using this affordable kentmere pan 400 film stock. Formula 1 has a storied past, and this show highlighted its evolution through the decades. From early racing machines to modern aerodynamic marvels, every display had a storyRead More →

kentmere 35mm film used in Borough Market, London. Christmas 2024

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First Impressions of Kentmere 35mm Film Kentmere Pan 400 has always intrigued me as an affordable, versatile black-and-white film stock. On the evening of December 19th, with Christmas just around the corner, I ventured to Borough Market in London to put this film to the test. Armed with my trusty Canon 300V and a roll of Kentmere 35mm film, I was ready to capture the bustling energy of festive shoppers under the cool winter sky. The film’s ISO 400 rating seemed like a good match for the mixed lighting conditions of the market: strings of fairy lights, glowing shop signs, and occasional dim pockets ofRead More →

Street Photography with Kentmere Pan 400: Witney and Winchester

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When I set out for a day of street photography, I chose Kentmere Pan 400—a versatile, budget-friendly black-and-white film. Its ISO 400 speed seemed ideal for dynamic street scenes, offering flexibility in lighting conditions. My chosen locations, the streets of Witney in Oxfordshire and Winchester in Hampshire, each presented unique opportunities for storytelling through the lens of my 35mm Canon AE-1P. The Journey Begins: Witney and Winchester Witney, with its historic charm and slower pace, invited me to focus on quiet details: the interplay of light on old stone facades, reflections in shop windows, and the textures of cobbled streets. Winchester, by contrast, was aRead More →

When Film Fails: Reflecting on Choosing the Right Film for the Right Day

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The Challenge of Overcast Days Film photography is often about choosing the right film, preparation, intuition, and adaptability. On a recent walk along the Kennet and Avon Canal, armed with my trusted Bronica ETRSi, tripod, and cable release, I chose Ilford Pan F ISO 50 for its fine grain and sharp detail. This choice, however, proved less than ideal for the day’s conditions—a dry but very overcast sky. While I’ve had great success with Pan F in the past, this outing taught me that even a favorite film has its limitations. Ilford Pan F: A Film for Bright Conditions Ilford Pan F is a remarkableRead More →

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As a photographer, I’ve always been drawn to the film texture and emotions that film grain can evoke. There’s something inherently nostalgic and raw about grain—especially when it’s deliberate, when it’s part of the creative process rather than a byproduct. My recent experience pushing Kodak Tri-X 400 to ISO 800 reminded me just how essential film texture can be in shaping the narrative of an image. Why Film Texture Matters When I talk about film grain, I’m not just talking about the random flecks and imperfections that come with shooting film. To me, film grain is used interchangeably with film texture, and is more thanRead More →

Pushing Kodak Tri-X 400: A Beautiful Black and White Journey

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As an analog photography enthusiast, there’s something magical about experimenting with different films and development techniques. One film that has never failed to captivate me is Kodak Tri-X 400. This black-and-white classic has been around for decades, and for good reason—it delivers beautifully rich contrast, deep shadows, and luminous highlights. But there’s something even more special about pushing it beyond its standard ISO, which brings out a new dimension of character in the film. Why Push This Kodak Film? Pushing film is all about shooting it at a higher ISO than it’s rated for, then compensating in development. For my recent roll of Kodak Tri-XRead More →

film vs digital

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Potsdam 100 Review Lomography’s Potsdam KINO 100 is often lauded as a fine-grain black and white film, drawing inspiration from classic German cinema. However, after using this film during the New Forest Fairy Festival at Burley, I find myself somewhat underwhelmed by its performance thus, this is my Potsdam 100 review. Pros and Cons List A quick pros and cons list can help you quickly gauge the strengths and weaknesses of the film. Pros: Cons: Comparison with Other Films Film Grain Quality Contrast Ease of Post-Processing Overall Aesthetic Potsdam KINO 100 Visible, more than expected High, harsh shadows & highlights Requires significant effort Classic, vintage,Read More →

Exploring Blakeney Quay with Ilford FP4+ and Bronica ETRSi

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Exploring Blakeney Quay with Ilford FP4 and Bronica ETRSi, Nestled along the serene coast of North Norfolk, stands as a picturesque testament to the region’s maritime heritage and natural beauty. This quaint harbour village, with its timeless charm and stunning views of the North Sea, has long been a magnet for travelers seeking a glimpse into England’s maritime past. What drew me to this enchanting location was not only its historical significance but also its reputation as a haven for photographers seeking to capture the essence of coastal life. For this expedition, I opted to step away from digital convenience and embrace the artistry ofRead More →

Shooting Kodak Ultramax 400 on the North Norfolk Coast

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Kodak Ultramax 400 is a versatile colour negative film, known for its vibrant colour reproduction and fine grain. I chose this film for my trip to the North Norfolk Coast because of its ability to handle diverse lighting conditions, making it perfect for capturing the region’s dynamic landscapes. My journey included three picturesque locations: the nostalgic North Norfolk Railway with its vintage steam trains, the bustling seaside town of Cromer with its iconic pier, and the serene Blakeney Quay with its tranquil marshlands. Kodak Ultramax ISO 400 ensured each scene was captured with rich, true-to-life colours, reflecting the vibrant essence of North Norfolk in lateRead More →

Experimenting with Revolog Paper Film ISO400 at the Basingstoke Festival of Transport

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As a long-time analog photography enthusiast, I’m always on the lookout for unique and creative films to experiment with. Recently, I got my hands on a roll of Revolog Paper Film, a new addition to the Revolog family. Known for their innovative and artistic films, Revolog’s latest offering is a 400 ISO black and white film that adds a paper-like texture to your photos. The effect intensifies with underexposure and softens with overexposure. The film comes in a charming cardboard canister designed by Austrian graphic artist Nadine Werjant, and it’s a limited edition, so each canister is a little piece of art itself. I decidedRead More →

Lomography Lady Grey 400: Capturing Witney: A Spring Day Through the Lens

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Lomography Lady Grey 400 as the vibrant hues of spring began to bloom across Oxfordshire, I embarked on a delightful journey to Witney, a charming town steeped in history and adorned with picturesque streets. Armed with my trusty Canon EOS 300v and a roll of Lomography Lady Grey 400 film, I set out to capture the essence of this quaint English town through the art of street photography. The weather couldn’t have been more perfect—a gentle breeze carried the scent of freshly blossomed flowers, while the warmth of the sun danced upon the cobblestone streets. With each click of my camera shutter, I sought toRead More →

Capturing the Charm of Mevagissey, Cornwall: A Photographic Journey with the Zenza Bronica ETRSi and Ilford HP5 Film

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Nestled along the rugged coastline of Cornwall, Mevagissey stands as a testament to the timeless allure of coastal villages. Its picturesque harbour, lined with colourful fishing boats bobbing gently in the tide, evokes a sense of tranquility that transports visitors to a bygone era. The quaint charm of its narrow streets, adorned with traditional stone cottages and vibrant flower displays, beckons explorers to wander and lose themselves in its enchanting atmosphere. Exploring Cornwall with the Zenza Bronica ETRSi and Ilford HP5 Film In an age dominated by digital photography, there exists a certain allure to the art of film photography—a nostalgia for the tangible processRead More →

Ilford Pan F Plus 50 photo used in my 100 blog posts in 2024

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Embarking on an experimental afternoon at St. Mary’s with Ilford Pan F Plus 50 film loaded into the cherished Zenza Bronica ETRSi, equipped with a 75mm lens. As the late afternoon light gently waned in late April 2024, I delved into the realm of long exposure photography, driven by the desire to capture the ethereal essence of this historic site. With the aid of an ND1000 filter, I set out to transcend the boundaries of conventional imagery, aiming to unveil unseen dimensions within the timeless architecture of St. Mary’s. This journey promised not only technical experimentation but also a deeper immersion into the light, history,Read More →

My Photographic Journey in Looe, Cornwall: Shooting Kodak Max 400 on the Canon EOS 300v

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Embarking on a journey to explore Looe, Cornwall, was a venture into the heart of natural beauty and coastal allure. As I prepared for this photographic expedition, I felt a surge of excitement coursing through me, fueled by the prospect of capturing Looe’s distinctive charm through the lens of my trusty Canon EOS 300v (which I’ll do a separate review soon), loaded with Kodak Max 400 film. Looe, with its rugged cliffs, quaint fishing harbors, and winding streets steeped in history, promised a plethora of photographic opportunities waiting to be discovered. Exploring Looe Through My Lens As I prepared my gear, I pondered over theRead More →