Whispers Among the Stones is an ongoing film photography project exploring Avebury and its surrounding landscape through shadow, grain, and myth. Rather than documenting, it seeks to listen — to the quiet presence of the stones, to the weight of old ritual, to the memory the land still holds. These images lean into the uncanny: the sense that something ancient lingers, just out of sight, patient and aware.

Avebury Stones Project Description

There are places in Britain where the past does not lie quietly. Avebury Stones is one of them. It does not present itself as a ruin or an artefact, but as something still happening — a slow and endless turning of earth, memory, and meaning. On a dark, low day beneath an overcast sky, I walked the circle with a Canon EOS 300v loaded with Kentmere Pan 400. The film seemed to welcome the gloom, settling into the grain like something ancient resurfacing.

Table of Contents

The stones here are not merely arranged. They stand. They attend. They watch travellers pass in the same way they have watched shepherds, priests, warbands, dreamers, and the lost. Their shapes hold echoes of forms older than language — animal, ancestor, sentinel, presence. In the dim light, the edges soften and the scale becomes uncertain. Lines blur. Meaning withdraws.

The photographs in this project do not attempt to clarify Avebury. There is no didactic record-keeping here. No clean lines or bright tones to make the place comforting. Instead, the images lean into shadow and grain, into the feeling that something vast and quiet is always just behind you, just out of sight, older than myth and patient as weather.

This Avebury Stones project is part of an ongoing inquiry into landscapes that remember more than we do — places where the boundary between now and then thins. Avebury is not a monument. It is a threshold.

To stand among the stones is to realise that the land does not forget.